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La Ferronnerie, Exposition Des Arts Decoratifs Paris, 1926

An incredible portfolio created for the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes—the first major design exhibition in post-war France—this event became a defining showcase of decorative architectural ironwork that defined the Art Deco movement in France. It featured works from many of the country’s most prominent creatives, including early pieces by a young Jean Prouvé, who, in the same year, established his first workshop dedicated to wrought iron craftsmanship and fabrication. Other work featured from; Piguest, Schenck, Subes, Baguès Frères, Ruhlmann, Brandt, Lévy, Desvallières, Dufrène, Szabo, and others.

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ARCHIVISM_La Ferronnerie Exposition Des Arts Decoratifs Paris 1925.jpg__PID:487b4e11-7897-4b65-93de-e70a31ae3985
ARCHIVISM_La Ferronnerie Exposition Des Arts Decoratifs Paris 1925.jpg__PID:487b4e11-7897-4b65-93de-e70a31ae3985

Featured
La Ferronnerie, Exposition Des Arts Decoratifs Paris, 1926


An incredible portfolio created for the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes—the first major design exhibition in post-war France—this event became a defining showcase of decorative architectural ironwork that defined the Art Deco movement in France. It featured works from many of the country’s most prominent creatives, including early pieces by a young Jean Prouvé, who, in the same year, established his first workshop dedicated to wrought iron craftsmanship and fabrication. Other work featured from; Piguest, Schenck, Subes, Baguès Frères, Ruhlmann, Brandt, Lévy, Desvallières, Dufrène, Szabo, and others.

Read More

A Physical Record

Within our collection, luxury coffee table books transcend their physical form to become vessels of creative discourse. Each volume is carefully chosen for both its aesthetic presence and intellectual contribution — from rare vintage editions that capture pivotal moments in design history to contemporary releases that challenge creative boundaries. These books are not mere objects, but rather considered artifacts that illuminate the intersection of concept and craft across art, design, and architecture.

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